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Roger Hornsby of the L&R Art Studio is responsible for conceiving
and designing the stained glass windows. The 24 clerestory windows
are a pictorial representation of salvation history.
OLD TESTAMENT:
Beginning with the Old Testament on the left as you come in the main
entrance:
The First Window: This illustrates the creation of all things.
We see the hand of God bringing forth night and day, land and sea.
The seasons, animals, and land, and finally man and woman are created
in His image. The creatures of the skies and all the plants and
animals are represented.
The Second Window: The fall of man. We see the angel as he
expels Adam and Eve from the Garden of Paradise. A tree-like form
of living fruit seemingly surrounds the angel, while Adam and Eve
leave in despair toward a planet-like form which appears dead. A
small symbol of a lily (Mary) pierces the serpent's head, illustrating
the prophecy in Genesis 3: 24, 15: "I will put enmity between you and
the woman, and between your offspring and hers. He will strike your
head while you strike his heels."
The Third Window: God's first cleansing of the earth and His mercy.
We see the Ark of Noah, surrounded by water amidst the rain. At the lower
left side are a pile of logs representing Noah's offering of praise
and thanks to God.
The Fourth Window: One of the greatest acts of faith is pictured
as Abraham, by God's request, had tied and bound his beloved son Isaac
and was about to slay him. But the Lord intercedes, as an angel stops him.
The Lord then promises Abraham that he will multiply his people as the multitude
of the stars. We see as secondary symbols the ram which Abraham
offers up to God, and the sticks forming a cross, symbolic of the
Lord's supreme sacrifice for us.
The Fifth Window: A portrayal of miracles and visions as told
by Jacob and Joseph. Displayed here is the vision of Heaven open to
the people by their faith in the Lord, and interpretation by Joseph
of seven years of wealth and growth and seven years of famine, and his
warning to the Pharaoh who puts him in command of everyone. The erect
shaft of wheat on the lower right side reflects an early dream of
Joseph as well as his command received later.
The Sixth Window: This reflects Moses as he receives the Ten
Commandments, God's formal law, the mount behind and the burning bush.
Also in the lower right are pictured the Pharaoh, who is oppressing the
people; the plagues, frogs, blood-red water, hail, darkness, locusts, etc.
Above shows the sea as it is opened to the people of Israel for their
journey to the promised land (mercy).
The Seventh Window: The law as it was formally established unfolds
as we see an arrow at left (flowering staff), a symbol of praise
and prayer to the Lord. At the right is Joshua with the rams horn.
Also are pictured the seven branch candlestick (menorah) with the center
candle bringing forth a flame with the Chi Rho symbol (the glowing
light of promise), representing Jesus, the light of the world, as will
be revealed later. This candle seemingly sits on a monogram base of
Mary -M- which is supported by the wings of angels below. These are
in adornment of the tablets as they sit within the Ark of the Covenant.
The Eighth Window: This shows God's grace in strength and bravery.
Samson destroys the temple of false gods, and David stands with staff
and slingshot. We look down upon a large spear, suggesting the fallen foe Goliath,
while the smaller spears represent the Philistine army. Below are the harp
and music given through the psalms, which also reflect by the staff the theme
"The Lord is my Shepherd," etc. Surmounting all is a large crown
with lineal motions going in both directions, God's guidance and grace.
Finally, we see the head or jaw bone of the donkey with which Samson
also fought in God's name for victory.
The Ninth Window: The coming Resurrection is illustrated with Elijah
as he is raised to Heaven by the fiery chariot, Elisha below receiving
the cloak as his future assurance to the people. A tongue of fire comes
down to reflect the holocaust of the Lord's fire which consumed the oxen
on the pyre to prove to the people the one true God. Twelve stones
(the twelve tribes of Israel) support the altar-like setting.
The Tenth Window: God's wisdom through the scripture of Solomon
is depicted. We see the baby claimed by two women; the one at the left
pleads for the baby not to be cut in half, while the one on the right
who is outside the lineal form of God's grace turns away and is ready
to allow it to happen. Solomon blesses and gives the child to its rightful
mother. The lamps of knowledge signify God's all knowing and ever knowing
knowledge. "I am the beginning and the end, the Alpha and the Omega."
The Eleventh Window: This reflects the early defenders of the
Lord's faith; Daniel at the right; Shadrach, Meshach, Abednego in the fiery
furnace. All are protected by the angel-like wings which encompass them and
ward off the lions and the fire. The triangular form represents the
Holy Trinity.
The Twelfth Window: This is the last window in the Old Testament
series design and connects the later parts of the Old Testament with the New.
Mary, the Immaculate Conception, is surrounded by the sun and moon. The
sun relates from Maachi 3:20. She is surrounded by the twelve stars,
symbolic of the twelve tribes of Israel, her genealogy "Tree of Jesse".
She is second Eve, Mother of God through the Tree of Life. Secondary
symbols reflect Issiah's prophecy, "a lamb shall sleep with lions". The
Prince of Peace imagery is expressed. Mary's foot, as the rock, crushed
the serpent's head to fulfill the promise of God (2nd window symbol).
The large crown, which is the theme used by the prophet Ezekiel, and
representing God's absolute majesty, is pictured. There also,
surrounded by wings and in vision, is the prophet.
NEW TESTAMENT:
The First Window: Portrayed is the Annunciation, as the Angel
Gabriel sent forth by God, announces to the Virgin Mary, that through
the Holy Spirit she is to give birth to the Messiah. The rays sent
forth by the Holy Spirit encompass her. Mary is greeted by her
cousin, Elizabeth.
The Second Window: The Nativity, Incarnation of our Lord. We
see the Christmas Star as it sends its light downward to the Christ
Child. The shepherds are told by an Angel. Crowns depict the Wise Men
coming toward the Holy Family.
The Third Window: Our Lord's Baptism. The HOly Spirit is
seen above, from which a lineal form surrounds Christ, as St. John
is seen holding the shell and droplets of water pour forth. At left,
(2) Symbols relate the forms of Baptism through desire and martyrdom.
The Fourth Window: This is a composition of two important events
in the early public life of Christ. The devil offers Christ worldly
possessions, which are rejected by His statement, "Man does not
live by bread alone." We also see Him as He selects his followers,
the Apostles.
There are four windows in the next bay:
The First Window: Christ gives us examples of His grace and
power of God, the Father. He cures the blind man, raises Lazarus,
as the two sisters look on in prayer, and heals the leper.
The Second Window: We now go to the writing, prayer and
parables. In relationship to Moses, Christ sets forth his New
Commandments: Love thy neighbor, love God. He teaches in the
parable of the mustard seed that "The Kingdom of God is a mustard
seed. When it is sown, it will grow up and become greater than
all herbs. Its branches shall shelter the birds of the air." We see
the tree like a form reaching out to a Chi Rho, while below its
branches, a bird lies in its shadow, in rest and comfort. Below
the Sower sows his seed, some on barren ground, some in the burning
sun, some in the thorns and bramble, but most on the fruitful earth.
The Third Window: The Last Supper. Our Lord institutes the
first Holy Communion. We see the twelve Apostles as Christ blesses
the Chalice. Judas, at the lower right, looks away, unable to
partake. He holds the bag of silver and a hangman's noose. At the
lower left, we see the Host and other Eucharistic symbols of
wheat and grapes.
The Fourth Window: The completion of our Lord's earthly
teachings and meaning of his presence. In it, we see: the Crucifixion;
His sacrifice for us to be redeemed; His Mother and St. John, at
His left, in His last moments; a bolt of lightening, as it rents the veil
of the Temple; the skull, at the foot, a symbol of Golgatha; at the
right, the seamless cloak and dice; at the top, the sun as it is eclipsed,
and the moon on the right.
Into the last four windows:
The First Window: The Resurrection, as promised by God,
Our Redeemer Jesus Christ, as He arises on the third day. The
Angel, on the left, announces His body is no longer entombed. The
banner of his Victory, seemingly comes forth from flames, before
a crown of thorns, but now as a crown of glory.
The Second Window: The Pentecost. Mary, surrounded by
twelve cross like forms, symbolic of twelve Apostles. We see
the Holy Spirit and the tongues of fire, of the Spiritual grace
given to the disciples and Mary and all those who follow in Spirit
of our Lord. We also see six small building like forms, suggesting
all peoples of the world.
The Third Window: This depicts the Saints, as they have
followed in the name and faith of Jesus Christ and are shown here
as a tree like form - The "Tree of Life". The branches form around
the various Saints. Again, we relate to parts of the World - St.
Rose of Lima, South America; venerable Kateri Tekakwitha - Lily
of the Mohawks, North American Indian; St. Francis Xavier, on the
lower right, as he spreads the gospel throughout Asia; St. John
Vianney - Cure d'Ars, heroic parish priest of Europe; and lastly,
St. John Chrysostom, early Bishop of Africa, Doctor of the Church,
founder of early Orthodox faith. All carry or have symbols of their
respective teachings.
The Last Window: A small depiction of the Church - our Church -
Holy Name. It is shown, at the lower right, as rays pour forth from
a large Chalice and Host. At the upper right, we see Our Lord, as He
guides us through life and sends forth His graces. A priest lifts a
host upwards, in the Mass of today. Lineal motions encompass and lead
five other symbols upward, symbols of the five other faiths. This
represents a hope of the ultimate reunion with God, perhaps eventual
reunion of all faiths and peoples.
The Blessed Sacrament Chapel has three faceted windows
with the theme of Holy Eucharist. The one, at the left, shows the
all seeing eye of God, from which the Manna and seeds of life come
forth; the second window, a cross, host, chalice, wheat, and grapes;
and the third window shows the breads, or small Easter rolls, and
the fish, in which the word in Greek spells out Jesus Christ.
The faceted windows in the organ area will carry out a musical theme,
denoting the praise of God.
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